At the intersection of climate change and gender, Adam’s plays gives agency and voice to environmental narratives. In attempt to recover the archive of possibilities, while actively demoting capitalism’s influence on storytelling, their writing bisects environment and identity by embodying plurality and multiplicities in form and content. The intention of the work is to gift through the proliferation of stories that re-center collaborators and audiences toward the Earth.
By creating environmental and Earth-based perspectives, Adam looks to disrupt the narrative structure upheld through the gendered three act structure, and they are instead inspired by naturally occurring structures – through geography, geology, environmental landscapes, and animal wisdom. Relying upon a decade’s worth of work with experimental colleagues through Buran Theatre, their plays propose alternative narrative structures to tell stories that have been forgotten or untold.
For initiating material, Adam looks toward the divisions manufactured through societal binaries, mining where they dissipate/dissolve/fold into each other in nature; for example, the Badlands as an environmental and geological active metaphor, where the
high prairie erodes through falling towers toward a brief desert, then plateaus into the lower prairie. These are the boundaries where storytelling arises from the Earth’s structures; Adam’s plays position themselves as a means to engage the peripheries of social discourse and realign the spectator’s relationship to the natural, while gently removing violent binaries from the structure of our stories.
The plays Adam writes embrace impossibility, chaos, joy, the multiplicities of queerness, duration, repetition, humor, musicality, poetry, and the limits of theatricality.
Their plays have been performed throughout the United States and in Lithuania – in festivals and main stage presentations. In New York their work has been presented at Ars Nova, ART/NY’s Gural Theatre, The Brick, The Bushwick Starr, Dixon Place, The Duplex, Incubator Arts Project/Ontological-Hysteric Theater, The New Ohio, Performance Project @ University Settlement, The Tank, and Vital Joint. Nationally their work has been presented at The Unicorn in Kansas City, the Marigny Opera House in New Orleans, Highways Performance Space in Los Angeles, University of Texas-Austin, and Tricklock Company in Albuquerque, among others.
Adam was most recently in residence at the Jentel Foundation in Banner, Wyoming and finished a new play, What it is to be the lake. Adam is also currently developing a desert play and a mountain play.
Access Adam’s plays on the New Play Exchange network
To reach Adam: email@example.com